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Courttia
Newland interviewed by MyVillage, Autumn 2000
On
a bleak autumn afternoon, MyVillage hooked up with newly acclaimed
author Courttia Newland at a local Portobello café, to find out
how he is coping with all his new found fame and
fortune.
We
meet Courttia inside, order coffees and take a seat outside in an
attempt to gain a bit of quiet (it’s bloody cold, no-one else is
going to be stupid enough to join us.) Sitting out in the street
Courttia appears to be like any other regular guy, the average West
Londoner you might see sloping around the streets on any random
afternoon, not the extensively publicised author he has recently
become. "My friends call me a superstar now," he laughs,
"something I always deny." Something I find increasingly
hard to believe, as the interview progresses and he is consistently
greeting or being greeted by new found acquaintances or admirers.
He introduces us to a passing friend, another local author about
to have his book published.
Courttia began
writing his first novel ‘The Scholar’ at the age of 21, a story
based on a West London estate and set around the lives of two cousins
who become entailed in a web of crack, crime and inner city ‘street
life’. By the age of 23 his novel was published, grabbing the attention
of press and literary critics who took to labeling him as ‘part
of a new breed of young black British writers’. Since then Courttia’s
second book ‘Society Within’ has been published, he has taken part
in an anthology of black British writing and is currently at work
on his next novel, as well as participating in numerous events such
as the Edinburgh Festival and Arthrob. So now Courttia has been
flung into the depths of the British Literary world, how is he dealing
with all this press and publicity?
During
an attempt to snap a shot of him for the interview, he informs us
that he doesn’t like having his photo taken for a start. Unfortunately
something which is now a common day event, ‘I have learnt to ignore
it, I try not to worry about it anymore’, so we snap away as he
leans back in his seat and attempts to look comfortable.
It
is obvious that the publishing of his books have changed his life
in one form or another, his book deal with Abacus has boosted his
financial situation, "I can buy the music I want, the clothes
I want and I can travel more." He is no longer living in a
squatt or working in a local retail shop, but he is certainly not
attending literary dinner parties, with the likes of Mr Amis and
shopping on Saville Row. "You have to attempt to remain grounded,
I treat it as a job, it pays the bills," he says leaning back
in his chair "That is the only way to deal with it."
The
publication of his first novel generated a lot of personal attention,
attention that has made him a little uneasy. "The papers and
the reviews create a persona for me, one that I don’t necessarily
have of myself," he says pulling his hat down over his ears,
"I am a lot more wary of people now, attempting to work out
where they are coming from." Interviews have tended to concentrate
on his background - of living this young, black, working class,
inner-city life. "The publicity and interest highlighted the
fact that I am writing: rather than concentrating on what
I’m writing. The persona, which has developed from this publicity
is one of ‘a working class, black, city boy made good’, I want my
books to be famous, not me, not my life."
As
we sit in the chilly autumn air we discuss that fact that Courttia’s
books have been publicised as ‘black British’ literature, he looks
at the people walking up and down the street, sipping on his coffee
in an attempt to keep warm. The area where he grew up contains many
diverse cultural experiences, Jamaican, Spanish, Moroccan, Rastafarian,
"We live in a multicultural society, my stories draw on lots
of experiences, experiences which contain black, white, multicultural
influences. My books should be accepted universally, marketed universally,
and should be able to appeal to all kinds of audiences."
The
White City and Ladbroke Grove areas have been Courttias playground
all of his life and he has used these experiences for the settings
of his first two books, books that shout ‘street life’, ‘street
culture’, ‘street style’. A style taken by many critics to be the
trademark of his writing, "’the street’ will always be an element
in my writing, it is not something that will ever go away, it has
made me what I am. As you move and progress, there are elements
of your past that you take with you and things that you leave behind,"
Courttia casually waves his arms towards the direction of Portobello,
"it’s all around you no matter where you are or who you are,
it is a way of communicating with people."
Courttia’s
subject and focus has received a range of publicity, critics have
described him as being ‘so hot he’s in danger of becoming fashionable’
whilst also accusing him of giving blacks a bad name. Courttia laughs
at this, "they [the critics] don’t know how to deal with me,
some don’t agree with my subject matter, I am writing about experiences
that they don’t want to touch on." he has written about crack,
drug dealing, rape and violence, "things that actually happen,
these are issues that people don’t want to deal with."
He
is fed up of ‘things being watered down’, of people playing things
safe. "You get penalised for being honest, for telling the
truth." Courttia is writing about issues that he believes are
‘real’, "People should be given things that are ‘alive’."
All
this publicity and personal attention would shout success to a lot
of people, but this is not the case with Courttia, "Success
for me will be when people know the names of my books, when people
approach me in the street to talk about my writing." With the
publication of his third novel, Courttia will undoubtedly become
more well known throughout Britain, which means more interviews
and publicity, more personal profiles and more photos, the thought
of becoming a celebrity may make Courttia cringe but he already
appears to be a local celebrity no matter how he sees it.
Roifield
Brown & Sian Pickles
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